It was a chilly night in Norman, Oklahoma, when the sky opened up and it started to rain. Running for cover wasn’t a consideration since U2 was just settling into their show. My brother Chad was hosting me and a few friends for my birthday. I was a few months into my first solo business venture and enjoying a momentary distraction from the 16-hour days and humbling uncertainty that comes with starting something new.
Three songs in, Bono paused and shared with the crowd that it had been 26 years since they played Norman — about a mile down the road, in a small bar, to a small crowd, as relative unknowns. He reflected that “it took us 26 years to move a mile down the road” to a sold-out stadium of 60,000 mesmerized fans. He thanked Norman for the upgrade.
I reflected on the U2 journey for a moment, surmising that Bono’s message was most certainly meant for me. A clear sign from the universe to focus forward on my own journey and keep doing the work. One day, it would all be worth it.
Fast forward 14 years, and I have been fortunate to see U2 perform live another half-dozen times. It’s a pilgrimage of sorts, often to mark a special occasion, and always to make a special memory. So, when they announced their residency to perform “U2:UV Achtung Baby Live at Sphere” in Las Vegas. I anticipated the text message from Chad that arrived within the hour.
“We’re going.”
“A science project in service of art” is how Bono eloquently described The Sphere. Spot on. The Sphere sits at 366 feet tall and 516 feet wide. The venue can seat over 18,000 people. It surrounds you with a 16K LED screen displaying augmented animations and also serves as a 360-degree JumboTron showing close-ups of the band. Aside from being a visual marvel, you feel the music, with over 160,000 speakers spread around the bowl. The Sphere reportedly cost $2.3 billion to build.
The show starts on a faraway planet before taking viewers on a journey through Earth’s history, exploring both natural and human-made elements. I was in awe and immediately overwhelmed at the felt experience. Nothing else really compares.
U2 served as masterful guides as they moved us through the immersive experience. Bono was flirtatious, reflective, raw, inspired and grateful — honoring the community U2 has cultivated in four decades of creating art and leveraging music to move humanity.
I am a fan, and this far exceeded any expectation I could have conceived of a live performance. It was an astonishing visual achievement and emotional experience that really does bring you to “that other place.”
I was so moved that I vowed to go back. I have also considered how this elevation of performance art offers so many beautiful lessons to people that want to create an impact. A few that are top of mind for me:
To think it all started with a note on a Dublin school notice board in 1976: “Drummer seeks musicians to form band.”
U2 has never been more relevant. And, of course, they are adding dates to the residency due to unprecedented demand.
This week, I’d simply suggest it might be worth considering if there is a lesson you can apply to your own reinvention efforts. Or, just enjoy the show!
I cannot wait to go back!